The chip window was 60 x 44 with the curl tumbling about its centre. The curl
reaches 24.2 units from that pivot once the stroke is counted, so a half height
of 22 clipped the top and bottom off it on every turn.
The box is now 52 x 58 with the pivot at (26, 33), measured off the actual
Bezier curve rather than its control points. The shadow sits at 15.1 below the
pivot, which is where the curl comes to rest, so the chip lands on its own
shadow instead of floating above it.
The endless rotation is gone. Each bat now adds one or two whole turns in the
direction it was hit and coasts to a stop, so the resting silhouette is always
the same one, the one the shadow was placed under.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
The cat was drawn in a 100 x 90 box that was exactly the window, so anything
reaching past it was cut off: the right whiskers always, and more of them in
poses that push the head forward, up to art x 109 while stretching.
The window box is now 120 x 106 with the drawing inset at (7, 14). The slack is
symmetric on purpose, because facing left mirrors the art about the box centre,
so asymmetric slack would clip the other side instead.
The mood-name mapper grew the shared aspect ratio and became CatDefs, so every
window sizes the cat the same way. Nose and mug offsets follow the new inset.
Co-Authored-By: Claude Opus 5 <noreply@anthropic.com>
